Creativity, Life

Grateful for Small Encouragements

I am discovering that the Texas Hill Country is rife with amazing artistic talent. And those talented artists like to get together! In the last few days, I have attended a local lecture on Old Masters and egg tempera paint at the Hill Country Arts Foundation. I also learned that they have a full studio of wheels, kilns and eager and talented potters who gather there–even those who have their own studios at home often work there for the community. So of course I joined right away. I am taking my own lumps of clay up there tomorrow for the first time.

I also attended a fabulous presentation at the Kerr Arts & Cultural Center, another arts center that hosts events and has gallery space for all manner of exhibits. The Guadalupe Water Color Group held its bimonthly meeting, and Austin-based watercolorist Jan Heaton gave a demonstration of some of her personal techniques. Jan’s work is stunningly gorgeous in its simplicity, with a focus on form and color. You can see her work at an upcoming show “The Market,” held in San Antonio at the Hunt Gallery September 29 through October 22, 2016. These images are from Jan’s website, and I cannot wait to see them in person.

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Newest work from Austin-based watercolorist Jan Heaton

The artistic ambience in Kerrville, Texas is simply wonderful. And I have yet to explore nearby Fredericksburg, which has at least 13 galleries and many amazing artists as well.

I was greatly encouraged during Jan’s presentation when she told us that she became a full-time artist (and is amazingly well-represented across the entire country) after a 25-year career in Advertising. Ahhh! Reinvention! This is my path, and it was wonderful to hear her story.

Do you have a reinvention story to tell?

 

Creativity, Life, Studio Space

The Time that Passes

Everyone should keep a blog just to be hit over the head with TIME and its refusal to slow down, much less stop and wait for us to catch up. Since my last post, my universe has dramatically changed. I know that’s a true statement for many people … after all, it’s been 18 months. Many things can change in the time it takes a baby elephant to be knit in the womb.

The culmination of nearly all of my changes have been wonderful, though the end was definitely not in sight most of that time. In that 18 months, I closed up my very small, one quarter of a garage pottery studio and put it all in storage as we moved into a small apartment to weather a layoff and a long job search. Among other (and more pressing) questions concerning our future, I wondered whether I would have another place to call “studio.” Uncertainty is taxing.

StudioFrame
The studio framework

It’s during these seasons–the difficult seasons–that I have been grateful for the stubbornness of time. It moves at its own inflexible pace, single-mindedly advancing minute by minute. During that relentless progress it takes me along, depositing me somewhere else further down the path whether I want to go or not. That’s the part I am most grateful for. I am moved along.

So I find myself here, 18 months passing since my last post, in the bend of this particular path as it turns to a new direction. Only a couple of weeks away (if the rain will stop)  from being reunited with wheel, kiln and magnificent clay, as Angus finishes the gorgeous studio he’s building me out back. A new job, a new town, a new season.

MoonOverStudio
Lying on the studio floor watching the moon

And new questions, too. Actually, maybe just the most basic question of all … who am I, now? Now that the kids are grown, now that my dear husband has given me the most precious gift of time (as in no 9-5 desk job), now that I can pursue artistic work freely? And, close on top of that one, What if …. I am no good?

But I fiercely believe and hold onto the benevolence and providence of God, and His active work in my small, daily life. So I take my steps forward …

A Potter's Journey, Ceramics, Creativity

Gaining Courage

What is it about pushing our own boundaries that is so scary? I mean, who really cares whether the next pot I throw flops or works? Who cares if that next drawing I make is awful? Nobody but me will even see it. But … somehow … it feels as if the world depends upon me doing something perfectly, expertly, beautifully … what??

Too often I let fear inhibit, or even stop me, from doing something creative. What is that really about? I don’t even know. But I have found that joining with others in some sort of collective helps. I have taken a few online classes for pottery and drawing that have been of great benefit in helping me “just do it.”

Right now I am in an online porcelain class, offered by the extremely talented Antoinette Badenhorst, whose work in porcelain is absolutely stunning. Like this:

Gorgeous vase by Antoinette
Gorgeous vase by Antoinette

 

 

 

 

 

 

 

 

 

 

 

 

 

and this:

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Seriously, this woman is talented! And she’s a great instructor, too — providing excellent guidance as well as personal encouragement in her classes. This is my second class with her, and frankly, I’ll sign up for ANYTHING she offers, because I have learned so much about porcelain and how to handle it from her. I highly recommend her classes! You can find them here: Porcelain By Antoinette, and her Facebook page is also amazing!

One more:

one more!
one more!
A Potter's Journey, Ceramics, Creativity

We Are Explorers

It seems that many potters I come across have developed their work around one specific clay body. I’m not sure this approach is for me!! I am just so drawn to different types of clays and what can be achieved with each.

I heard great another podcast by potter Ben Carter, this one featuring Sandi Pierantozzi and Neil Patterson (Podcast No. 86), and Sandi expressed for herself the way I feel about clay and ceramic expression: she defined herself as an “explorer.” This is a paraphrase of what she said: there are just so many things to try! As long as she feels engaged in the process, she has learned to be okay with not settling on just one thing. 

Sandi Pierontozzi, sandiandneil.com
Sandi Pierantozzi, sandiandneil.com

 

It was helpful to hear such a successful and truly gifted potter express what I had been feeling … validation can be encouraging when one is venturing out into the unknown!

 

 

 

 

 

 

 

Here is more of Sandi’s gorgeous work!

Sandi Pierontozzi, sandiandneil.com
Sandi Pierantozzi, sandiandneil.com
Sandi Pierontozzi, sandiandneil.com
Sandi Pierantozzi, sandiandneil.com
Creativity, Life

Home Sweet Home!

It’s not very glamorous, but I am very thankful for my 1/4th of the garage, all my own, which I call my studio. Small, yes, but it has everything I need: work space, wheel, kiln. I look forward to the day I have a larger room and windows, but for now, we just throw open the garage door, turn on the heater (or sometimes the kiln, depending on how cold it is!) and get to work.

Angus also has part of the garage for his motorcycle transformations and furniture building. This is where we spend our weekends and evenings after work! TrimmingwBat

Cycle

Ceramics, Creativity

Red Clay Dipped in Porcelain Slip

Armadillo Cinco Rojo, dipped in Laguna Frost Porcelain; here ready to fire. I love working with Cinco Rojo–it is friendly and easy, and is a beautiful color while in the making stages. I am anxious to see how it turns out after the firing! I am also learning to work with porcelain, and am curious to see how my experiment of combining the two turns out.

The porcelain slip used here has been collected from my throwing water and then blended with a hand mixer. I dipped the pieces into the slip, and wiped off the bottoms. Into the kiln they go, fired to cone 06 for bisque.

slipcoveredbowl

porcelainslipmug

Creativity

The Unexpected Dresser

“… and besides, he had a box of tools and a pair of intelligent hands.”  from the short story “The Sea of Lost Time” by Gabriel García Márquez 

My multi-talented husband is a corporate man by day, working in e-commerce and marketing, but his real talents are in his hands, and his box of tools, and his brilliant imagination. He builds furniture and turns crusty motorcycles into rowdy works of art. These pictures are of his latest creation. I call it the Unexpected Dresser, because it has many hidden surprises.

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Creativity, Life

Inspiration is for Amateurs

“Inspiration is for amateurs — the rest of us just show up and get to work.” –Chuck Close

Chuck Close (born July 5, 1940) is a painter and photographer who continued to work after becoming paralyzed in 1988 from a spinal artery collapse. He mainly utilizes a technique referred to as “hyperrealism” which means he creates paintings that are so detailed they really look like high-resolution photographs. That’s hard!!

CBS This Morning has a segment they call “Note to Self,” where artists and others read a letter to their younger selves, full of the wisdom of years. You can watch Chuck Close read the entire letter he wrote to his 14 year-old self, while he is still painting from his wheelchair, here: https://www.youtube.com/watch?v=milXH-433vs

Though I do think we can be inspired by various things, what he means here is that if we WAIT to be inspired, we are not truly professional artists. The habit of working regardless of whether or not one feels inspired to do that work is what ultimately produces good, and sometimes, excellent work.

Close goes on to say, “Every great idea I’ve ever had grew out of work itself.” Meaning that the doing of the work is actually the inspiration for more and better work. Here’s more of his wise advice: “SIGN ON to a process and see where it takes you. You don’t have to reinvent the wheel every day. Today you will do what you did yesterday and tomorrow you will do what you did today. Eventually you will get somewhere.”

This is so true! Even if one has talent, one must have an appetite for work. With an appetite for work, plus curiosity, plus some passion and heart, one can create. Who knows where that journey will go!

Ceramics, Creativity, Handbuilding Basics

Calling All Self-Taught Potters …

Linda Fahey has a great formula for the self-taught potter: Have a curious mind, and attend a million workshops! But sometimes workshops are expensive, or too far away. With that in mind, I want to recommend Diana Fayt’s online course, called The Clayer. You can take this class from the comfort of your own home at a GREAT price!Fayt.badge

Diana is a marvelously talented potter who has created a couple of online classes, sharing her knowledge and expertise in surfacing techniques. I have taken both of Diana’s courses, and highly recommend them! She shares so much of herself, and her vast knowledge and experience. PLUS, she’s a great teacher.

I had been wanting to make some plaster molds for awhile, but was too intimidated to do it on my own. In Diana’s course, she walked us through it step by step, and now I’ve made several, and am at ease working with plaster. Sometimes you just need a little push in the right direction! This course also covers the water abrasion surface technique, along with carving and using paper stencils. It’s truly a fabulous bargain for all the techniques you will learn!

Take a look at some of Diana’s work. You can also listen to her interview with Ben Carter on Tales of a Red Clay Rambler, his podcast. Don’t you want to learn from a potter who can make this beautiful work??

dianafaytbowls Fayt.Plates fayt.walltile fayt.triplevase

 

A Potter's Journey, Ceramics, Creativity

Linda Fahey on Being Self-Taught

Potter Ben Carter produces a wonderful podcast series titled “Tales of a Red Clay Rambler,” where he produces thoughtful and interesting interviews with potters and other RedClayRambler.LindaFaheyartists. This past week, he interviewed Linda Fahey, whose work is wonderful and imaginative. Linda is a self-taught potter living and working in the Bay Area, where she also runs a a fabulous shop called Yonder. The shop is located in Pacifica, about 15 minutes south of San Francisco (find it online at Yondershop.com).

YonderShop.com

In the interview, Linda talks about her journey of becoming a potter and full-time artist–and her new role now as shop-owner of Yonder. (The tag line of her store is “discover beautiful things every day.” Indeed!) The whole interview is great, but I was particularly struck by her words about being self-taught. I am also on a self-taught journey, so I find her words (and work) very inspiring:

34: 54  I’m not confident enough to think I’ve arrived, ever. it is what fuels me to get better. We talked earlier on going through an academic program and what that entails, versus someone like myself, who is essentially self-taught, worked under people, but self-taught. There are gaps there that you have to find and then you have to figure out how to make it better. The academic environment is designed for you to not have a lot of blank spots. You are going to come out of that program and be pretty tight, right?… So this over here, me, working in the dark sort of, I mean I’ve gone to a million workshops and I have a very curious mind so I’m out there trying to find the information, but I don’t know what I don’t know. I still have a long way to go. 

Though Linda may feel that to be true (that she still has a long way to go), it’s clear by her body of work that she is quite accomplished at making the world a more beautiful place:

Linda Fahey, Yondershop.com
Linda Fahey, Yondershop.com

 

Linda Fahey, Yondershop.com
Linda Fahey, Yondershop.com
Linda Fahey, Yondershop.com
Linda Fahey, Yondershop.com

 

In Ben Carter’s podcast, she also talks about what she’s learned from working with Anthropologie, being a store owner, incorporating her environment into her work, and her future goals. Play her interview while you are in the studio–it’s wonderful inspiration. You can read her blog and see her new work here.